Reviews for My Tennessee Mountain Home

By member: redtunictroll - Apr 14, 2007

Subdued album looks home from Nashville

Strengths: Moving songs of home; great title track; new liner notes; first time on domestic CD.

Weakness: Only one bonus track.

This 1973 entry in Parton's catalog has previously been available as part of an import two-fer (winningly paired with the following year's "Jolene"), but this is the first domestic reissue. Parton was a star on the Porter Wagoner show in the early '70s, but solo recognition was arriving more grudgingly. Her chafing under Wagoner's contractual control didn't help, and her songwriting exhibited a streak of homesickness, starting with the spoken word opener on this LP. ¶ Parton sings lovingly of her parents ("I Remember" "Daddy’s Working Boots"), home ("Old Black Kettle" "My Tennessee Mountain Home" "Back Home"), and remarkable neighbors ("Dr. Robert F. Thomas" – the man who brought Parton into this world). The album's homespun sounds form a bookend with 1998's "Hungry Again," particularly in the traditional, acoustic backings. The album's title track is a perfect example of Parton's craft, evoking images so real that you can feel yourself longing for a return to Smoky Mountains you may never before have visited. ¶ The remainder of the album failed to catch on the charts, but Parton's nostalgic and wistful songs are quite charming. The story of her arrival in Nashville, "Down on Music Row," is a a great example (along with the title track and career standouts like "Coat of Many Colors") of how Parton could turn her personal history into memorable, engaging songs. The lone bonus track on this reissue, "Sacred Memories," was recorded during the album's sessions, issued as a B-side, and reappeared on the LP "Love is Like a Butterfly." ¶ Legacy's reissue (along with accompanying versions of "Jolene" and "Coat of Many Colors") fills out the packaging with newly struck liner notes by Chet Flippo and chart and session information. Aside from the title track, this is a more subdued and subtle entry in Parton's catalog and its lack of previous domestic reissue leaves it fresh to many fan's ears. Most of Parton's albums of this era are essential, and this one's no exception. [©2007 redtunictroll at hotmail dot com]

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